A kind of grotesque that it seems do not leave us alone as if we are cursed with it. From Mohammed Siyah Ghalam to Ardeshir Mohasses and Alireza Espahbod are backbones to his paintings. He is from a generation who simultaneously get entangled with contemporary Iranian and foreign sources from any kinds and any shapes. From daily news to characters from far East, all are inspiring sources for him so that their bitterness and sweetness find a new way at the heart of his paintings in the most complex way. His search in the heart of his painting is not limited to various characters or a certain composition of them.