Whenever something is seen, a part of the field of vision changes. Therefore, an image can be complete, or it can emerge from a series of unfinished encounters.

Signs acquire meaning through their relation to one another, and with every shift in position, new relationships are formed among them.

There is no definitive boundary between elements that are directly seen and those that can be perceived through signs. Distance and proximity, silence and presence, all play a role in shaping this shifting relationship. Each element affects the others, and every relationship creates the possibility for another to emerge.

Out of this unstable continuity, a temporary and fluid order comes into being. This order is founded not on certainty and permanence, but on the possibility of change and redefinition. Within such an order, the process of seeing has no end. In subsequent encounters, elements are read again, their positions shift, and new connections emerge in the moment of encounter and in relation to the given context.

Here, seeing does not necessarily mean receiving a final and unified image. Rather, it is an ongoing process of selection, omission, rereading, and establishing relationships. An image may be complete or unfinished, yet it always derives its meaning from its context and from the relationships between presences, absences, and signs.                                                                                     Alireza javadi