As of today’s meaning of art, human’s primary artistic act must be called as painting, through which Davar Yousefi attempts to observe and consider such archetypal motifs. The scrutiny is the conclusion of years of instruction with an outstanding authenticity. Authenticity is considered as constant returning to self. Such return is not merely exhibited through representing motifs and forms, but through the transition of artistic life along with hard work and perception of being and becoming at present.
 The poetic relationship of visual elements with the harmony of two-dimension spaces reminds of ontological view of the artists from this ancient land. A turn from icon to symbol is a historical path in Iran literature which has been neglected in paintings, searching for identity. This collection is considered to be a study which can be developed and it therefore owns a theoretical aspect.
 
 Javid Ramezani